I work mainly using acrylics on wooden panels because this surface is very robust and supports my in-the-moment creativity through the variety of tools and methods I use. I begin each piece with loose mark making, using big brushes and gestures to put down a layer of energy and movement.
Each layer is added and quite often subtracted, overlaid and modified, I am responding to it like it is a living thing, finding my way as I go. This rhythm and response continues for many layers until the final image is revealed only then the final smaller more delicate and deliberate gestures begin that bring it to completion.
It is very organic process, like choreographing a dance, thus reflecting and referencing my early years training in this area.
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